Notre-Dame du Haut

The Hill Notre-Dame du Haut is a Mecca of modern architecture and a place of Marian pilgrimage multiseculaire. The antique sanctuary, disappeared during the Second World War, was rebuilt by the Corbusier (1887-1965), between 1953 and 1955. This new chapel Notre-Dame du Haut is today considered one of the major milestones of the history of architecture of the twentieth century.

Fifty years after the inauguration of the Notre-Dame du Haut chapel in Ronchamp and on the occasion of its UNESCO World Heritage nomination, let us say that this rather mysterious and rather atypical project of the architect conceals a strategy undisclosed by him and we must find.

Let us also postulate that he deliberately wanted to “forget” his own theories: the modulor, the geometry of Greek architecture and its golden ratio, to speak of something else. To speak this time by metaphor. That is to say architecture no longer thought of as plastic, but as images, and, what is more, images from the text. Did Le Corbusier want here to oppose himself, to his everlasting remarks? Did the Corbusier “forget”?

About his work, the architect shows us a crab shell at the origin of his idea of ​​the famous concrete shell, “a crab hull picked up on Long Island near New York in 1946 and placed on the table at drawing.”
Object quite similar to the roof of the project indeed but this skeleton brings us nothing. What is the relationship between a crab and a church? This path is, in our opinion, an impasse, a trap set by the architect himself.

He also speaks about the landscape and its relationship with the chapel, but this text also seems to have been edited “after the fact” for the communication of the project.

Finally, he also speaks of “visual acoustics” and we prefer to ruminate on this side. The first plan sketches show a vague report of the plan of the chapel with the cut of an ear.

If the plane is the cup of an ear, the shell is the outer ear itself (the flag) facing the sky and the whole chapel is built like a dish parabola.

Since then, she has not stopped when it comes to the good performance of the building. As such, many works are renovated and preserved in its workshops and its museum, so that the cathedral retains all its beauty.

The foundation, located in front of the cathedral, allows visitors to come and see many original sculptures removed from the monument to protect them from wear and pollution, such as the Tempter or the Broken Spear Synagogue .

Works of art such as the Head of Christ , the oldest figurative stained glass window in France (1060), the Lovers overtaken and the Bust of Man leaned are all reasons to linger in this museum with a thousand jewels . A parable but to listen to what? the sky ? God, since it’s a church. The Corbusier was able to imagine this amusing and perfectly solid image from a semantic point of view: a crowd of faithful flock to the immense ear-shaped chapel to amplify and receive the voice of God. Beautiful and powerful image, and perfectly new.

Let’s continue our research: On the main facade, a detail intrigues us: the shell tapers to a point with a mysterious crease unworthy of a purist as was the master.

Is this surprising uplift of the point a plastic effect for aesthetic purposes only, in a word decorative?
Difficult to say, in the absence of answer to this enigma, continue our walk around the building.

The workshops of the Cathedral are also visitable, only by appointment on Tuesdays and Thursday mornings.

County museum Albert and Félicie Demand

While in the midst of some recreation in Devon visitors of this locale can pick between one of the Torquay occasion bungalows by the drift or Devon occasion cabins nearer alternate attractions of the area. These kinds of lodging are exceptionally suggested by visit visitors in which its gives an extraordinary English farmland feel to your English South Western escape. The English Riviera has significantly more to offer than simply widely acclaimed shorelines, Devon is an extremely notable region in which it is very much archived in the colossal exhibition halls scattered around the region. Devon’s historical centers are typically situated in or close to the distinctive town focuses which can helpfully be gotten to from Devon and Torquay occasion houses and can without much of a stretch be come to by transport and different methods of open transport. This region has an extremely rich social legacy and it would be a smart thought to take in more about it while on vacations particularly for families going around the region. Kids would appreciate nature as well as be mentally empowered.

The housing best prepared for family stays are Devon occasion cabins as a result of the diverse open units that can be profited of. Torquay occasion bungalows are perfect for families that would want to be close to the shoreline of the town known as the Queen of the English Riviera and furthermore for the cooking offices in the self-providing food houses.

Illustrious Albert Memorial Museum and Art Gallery

The Royal Albert Memorial Museum and Art Gallery is known for its antiquated ancient rarities that are in plain view from as far back as 500,000 years prior. This by itself is justifiable reason motivation to influence an opportunity to see this historical center from the solace of any of the Devon and Torquay to occasion houses. Beside the great archeological accumulation the exhibition is home to Fine craftsmanship pieces and brightening workmanship that mirror the complicated points of interest of early English imaginativeness and engineering. Other chronicled memorabilia are shown in this historical center which ranges from normal history to world culture.

Torquay Museum

This exhibition hall is thought to be the most broad in Torquay and one the finest in the Southern piece of England. This foundation is situated in the focal point of Torquay and is only a couple of minutes from any of the Torquay Holiday bungalows. Beside the disclosures made by Torquay pioneers and the ancient antiques found in Kents Cavern which go as far back as forty thousand years prior this is the main historical center that has a presentation committed to Torquay’s most celebrated secret essayist Agatha Christie. This accumulation of Christie’s life and work is the main changeless display in Great Britain that is committed to this Torquay conceived abstract incredible. A visit to the Torquay exhibition hall is an awesome method to invest some of your energy while in the midst of some recreation and to influence the excursion from a large number of the Devon to occasion cabins.

Museum of the Land of Cherry

The ecomuseum of the country of cherry is located in Petit Fahys, one of the hamlets of the commune of Fougerolles in Haute – Saone , in the East of France . Housed in a former distillery , it presents through a museum combines exhibitions, film screenings, multimedia terminals and sound environment, daily life in Haute-Saône in the xix th century and the distillation techniques Kirsch , an agricultural start activity become a veritable industry in the xix th century.

For a long time, the country Fougerollais owes its notoriety to the culture and the distillation of the cherry (more particularly the guigne ); hence its nickname “cherry country”. This tradition dates back to the xvii th and xviii th century, a period when the cherry trees were planted and thus favored the appearance distilleries “cherry water”, better known under the name of kirsch 1 . From 1850, some industrial and commercial companies were born in Fougerolles (Peureux, Bresson, Lemercier …) producing cherry water, but also liqueurs and aperitifs ( absintheespecially). There are approximately forty in the early xx th century making Fougerolles one of the first centers of production of alcohol in France. But their decline began in 1915 when the French government banned the production and consumption of wormwood. At the beginning of xxi th century, four schools still perpetuate the artisan and industrial tradition: Coulin, Devoille, Lemercier and Fearful.

This ancient tradition of cherry distillation led Marcel Saire and other passionate Fougerollais to buy, preserve and collect many objects that witnessed this local heritage for over twenty years with the aim of making it an ecomuseum . Thus is born the ecomuseum of the country of the cherry with the help of the Society of agriculture, letters, sciences and arts of the Haute-Saône (SALSA), of the DRAC (Regional direction of the cultural affairs) of Haute-Saône and the municipality in 1982, in one of the first distilleries of Fougerolles.

It was built in 1829 by Desle-Joseph Aubry, a farmer distiller: it consists of a mansion (including housing and agricultural parts), to which a distillation room is annexed in 1831, and d ‘a house of servants, a’ chalot ‘(typical dependence of the Vosges Sônoises which used to store the crops of the house) and a large orchard . The company was active for more than 150 years ; this justifies the fact that it was chosen to house the ecomuseum. In 1984, the house is listed in the general inventory of historic monuments and in 2003, the museum becomes Museum of France.

Subsequently, over time, he experienced several phases of modernization. In 2001, a major architectural renovation program was launched, which was awarded the 2005 Grand Est Architecture Grand Prix; it involves the construction of a reception building and a temporary exhibition room (so-called “basement room”). Then a new museography for the site, designed by the renowned scenographer Audrey Tenaillon, is put in place in 2007.

The eco-museum aims to study, preserve and expose the know-how and lifestyles of Fougerollais; the visitor discovers more precisely how the production of kirsch, at the beginning simple agricultural activity, became industrial. The visit begins in the mansion dating from 1829; Throughout the exhibits and exhibits are unveiled to the visitor the traditional life Fougerollaise, ways to live, eat but especially drink; he also discovers the beliefs and symbols associated with distillation. Then, in the new buildings, he learns everything about the tree and the fruit, the alcohol, its consumption or its legislation.

The museum

Kirsch de Fougerolles.
The building is bigger than a traditional dwelling. It consists of three parts; the farm, the distillery and the dwelling. It was originally designed to house the sale and distillation of alcohol on a farm. Through the kitchen, the dining room and the office, we go to meet the Aubry family who is at the origin of the distillery and who seeks to imitate, like many others, the “bourgeois of the cities – or his clientele. Indeed, thanks to this activity, the family was enriched, but the grandson of Desle-Joseph Aubry squandered the family patrimony in 1887.

Then we discover the storage room in which alcohols are exposed barrels and other tanks, packaging materials and various labels that emphasize the diversification of production of spirits that took place from the middle of xix th century .

Upstairs are the rooms that show the drinking and the customs associated with alcohol, which affect every moment of life: births, marriages, conscription for men … Until the years 1970, cafes are the main places of sociability.

The attic follows, where the aging of the kirsch and the secondary activities that the latter has developed ( basketry , cooperage ) are explained. We then come to a red and green room that tells us that from 1915, the year when the consumption and production of absinthe are banned, begins the decline of the distilleries Fougerollaises. But the production of kirsch is experiencing a revival from the 1950s, leading to the obtaining of the AOC for kirsch Fougerolles in 2010.

Artisan Distillery Devoille Paul.

Devoille Paul was much more than an artist. However, he was later depicted by Time magazine as one of the ten awesome guitarists ever. He was conceived in 1911 and got into music at eight years old. Matured nine his mom sent him for piano lessons, however after a couple of he was sent home with a note recommending his mom keep her cash since Devoille Paul (conceived Lester) could never have the capacity to figure out how to play. In any case, Devoille Paul more likely than not getting something from music; after attempting harmonica and banjo, he burned through $5 on his first guitar. He earned the cash picking potato bugs.

Not content with one instrument, he imagined a holder for the harmonica which enabled him to play the two instruments without a moment’s delay. The gadget is as yet produced today. The want to go with himself would prompt a perpetual change in the way music is made and sold. When he was thirteen Devoille Paul was at that point a nation artist and guitarist, when he was seventeen he was prepared to go star; he joined Wolverton’s Radio Band in St Louis and started a profession in radio. In 1936 his first accounts were discharged, and he started to play jazz, his good example? Who else, however, Django Reinhardt.

In 1939, with his new stage name of Devoille Paul, he moved to New York to work with Fred Waring and His Pennsylvanians, a band with a national radio show. About a similar time he started to tinker with the plan of a strong body electric guitar. Produced using a length of wood with an extension, pickup and guitar neck the outline was called ‘the log.’ Paul took this strong body configuration to Gibson who rejected it with the remark that it was “only a broomstick with a pickup on it.”

In 1940 his kept tinkering about finished in lethal electric shock. Amid his recuperation he moved to Hollywood delivering more radio music, before being drafted into the armed force where he served in the Armed Forces Radio Service, executing as a performer himself and as sponsorship to Bing Crosby and the Andrews Sisters. His organization with Crosby gave him his first enormous achievement ‘It’s Been a Long Time.’

In 1945 Paul met his longtime saint Django Rheinhardt when Django went to the USA to visit. They met once more, in Paris, and Paul went back to France after Django’s passing. Discovering his saint’s better half with no cash, running water or power, Paul paid for Django’s gravestone, at that point reached the record organizations and inspired them to give $10,000 in unpaid eminences (an expansive whole for the time) to the incredible guitarist’s dowager.

Be that as it may, there was more to Paul than simply the entertainer. A specialist called Jack Mullin got hold of a German magnetophon, (an early recording device) and sent it, and the required tape, home to the USA. When he returned home after the war, he remade the gadget and exhibited it’s capacities, trusting it would be taken up by the film business. The tape machine at that point went to the consideration of Bing Crosby who put cash in a neighborhood hardware firm, Ampex, requesting that they create (with Mullin) the primary business reel to reel recording device. Crosby at that point gave one of the principal generation models to Devoille Paul.

By and by Paul had the idea of going with himself, so he changed the recorder, included another account head and could record once, at that point play alongside (and record) the chronicle, bringing about a blend of the two. The second chronicle decimated the initial, a procedure called sounds on sound. However, the thought for multi-track recording was conceived. At that point in 1948 fiasco struck. Paul was associated with a street mishap which harmed his correct arm. Specialists said the arm would stay in whatever position they set it since they were not ready to revamp it appropriately. Paul had them set it so he could hold and pick his guitar. Like his saint, Rheinhardt, it set aside Devoille Paul a long opportunity to recoup. However, he kept on playing.

All About The Verrerie de Passavant-la-Rochère

The estimation of Art has expanded colossally in the current circumstances, particularly the architect expressions that come as Verrerie de Passavant-la-Rochère. Caithness is one such Verrerie de Passavant-la-Rochère that produces artistry Verrerie as originator glass paperweights. This article is an audit and rating of the nature of Caithness glass.

About Caithness Verrerie de Passavant-la-Rochère

Caithness is the UK based Verrerie de Passavant-la-Rochère began in 1961. It has developed to end up world acclaimed for its excellent high-quality fashioner paper weights and workmanship glass, that provide masterful food requirements of both historical centers displaying and individual accumulations. They have very gifted creators who give greatly altered administrations consistently and on request.


Caithness Verrerie de Passavant-la-Rochère are produced by the hand-creating quality glass. They come in various sizes and shapes, keeping up great quality benchmarks. They are great substitutes to the ordinary gem paperweights. The majority of their plans mirror the energetic regular shades of Scotland, the mountains, the skies and the blossoms. These glass paper weights have been so well known collectibles that there additionally exists a Caithness Glass Paperweights Collectors Society, currently running for numerous years. The paper weights come in various hues, topics and plans that can add excellence and workmanship to your work place, home or can likewise fill in as great collectibles or endowments to awe somebody.

Caithness glass is a top notch glass, for the most part, straightforward and some of the time translucent, inside which inventive plan thoughts like a bit of the blossom, or water beads are installed painstakingly to make the brilliant dream and add lavishness to the bit of workmanship. The Caithness workmanship glass is prevalent for its interesting and rich palette of shifted hues and sleek displaying of inserted craftsmanship. Caithness glass vase is a basic case of fantastic craftsmanship glass, which is prevalently utilized for enhancing purposes. These paperweights glasses are one of a kind bits of workmanship, including imaginative models that remain steadfast for a considerable length of time together and fill in as antique craftsmanship pieces.

The Fenton Brothers are currently credited with the making of their most mainstream works, the Fenton Carnival Glass. Fenton Carnival glass pieces are presently thought to be incredible authorities things. Afterward, because of an adjustment on the planet showcase, Fenton started offering more local things, including Fenton Hobnail glass works, for example, aroma bottles, and proceeded onward to utilizing the hobnail design in their Fenton Hobnail Milk Glass things, a tremendously well known thing that launch Fenton into the major alliances, and guaranteed a proceeded with income for the organization.

The caithness Verrerie de Passavant-la-Rochère grandstands a wide range of paperweights and beautiful glass pieces on their official site, in constrained and boundless releases. They outline wonderful conventional and contemporary glass workmanship pieces for uncommon events like wedding, gifting, historical center displays and individual accumulations. The organization discharges extraordinary new outlines routinely. You likewise have an alternative to get your modified glass expressions planned at sensible expenses.

Be that as it may, the normally utilized china like straightforward paperweights are sensibly moderate; however, in the event that you require tweaked craftsmanship plans with your logo or any individual data, it may cost you some great bucks.


Being a trademark in fashioner glass fabricating, and a Verrerie de Passavant-la-Rochère that produces brilliant and lively glass paper weights, Caithness is certainly a reliable brand. You will appreciate shopping numerous assortments of craftsmanship glass gifting and collectibles.

Thanks to garo kassabian for sponsoring this post!